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The Art of Segovia

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$15.49 List: $17.98Save: $2.49 (14%)

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2 Disc(s)

  1. 1.

    Recuerdos de la Alhambra, for guitar 5:16

    Andrés Segovia: Francisco Tárrega

    Play Recuerdos de la Alhambra, for guitar
  2. 2.

    Capricho árabe, for guitar 5:26

    Andrés Segovia: Francisco Tárrega

    Play Capricho árabe, for guitar
  3. 3.

    Marieta, mazurka for guitar 2:29

    Andrés Segovia: Francisco Tárrega

    Play Marieta, mazurka for guitar
  4. 4.

    Romanza de los piños, for guitar 1:46

    Andrés Segovia: Federico Moreno Torroba

    Play Romanza de los piños, for guitar
  5. 5.

    Madroños for guitar 2:56

    Andrés Segovia: Federico Moreno Torroba

    Play Madroños for guitar
  6. 6.

    Serenata burlesca 2:55

    Andrés Segovia: Federico Moreno Torroba

    Play Serenata burlesca
  7. 7.

    Introduction, Theme & Variations on a theme from Mozart's "The Magic Flute," for guitar, Op. 9 7:10

    Andrés Segovia: Fernando Sor

    Play Introduction, Theme & Variations on a theme from Mozart's "The Magic Flute," for guitar, Op. 9
  8. 8.

    Homenaje pour "Le tombeau de Claude Debussy," for guitar, G. 56 2:39

    Andrés Segovia: Manuel de Falla

    Play Homenaje pour "Le tombeau de Claude Debussy," for guitar, G. 56
  9. 9.

    Thème, Varié et Finale for guitar 7:57

    Andrés Segovia: Manuel Ponce

    Play Thème, Varié et Finale for guitar
  10. 10.

    Canción mexicana No. X 1:32

    Andrés Segovia: Manuel Ponce

    Play Canción mexicana No. X
  11. 11.

    Sevillana, fantasia for guitar, Op. 29 5:59

    Andrés Segovia: Joaquín Turina

    Play Sevillana, fantasia for guitar, Op. 29
  12. 12.

    Zarabanda lejana, for guitar ("Homenaje a Luis de Milán") 5:04

    Andrés Segovia: Joaquín Rodrigo

    Play Zarabanda lejana, for guitar ("Homenaje a Luis de Milán")
  13. 13.

    Capriccio diabolico, for guitar ("Omaggio a Paganini"), Op. 85 9:14

    Andrés Segovia: Mario Castelnuovo-Tedesco

    Play Capriccio diabolico, for guitar ("Omaggio a Paganini"), Op. 85
  14. 14.

    Tonadilla on the Name of Andrés Segovia, for guitar, Op. 170/5 5:10

    Andrés Segovia: Mario Castelnuovo-Tedesco

    Play Tonadilla on the Name of Andrés Segovia, for guitar, Op. 170/5
  15. 15.

    Prelúdio, for guitar No. 1 in E minor, A. 419/1 4:27

    Andrés Segovia: Heitor Villa-Lobos

    Play Prelúdio, for guitar No. 1 in E minor, A. 419/1
  16. 16.

    Prelúdio, for guitar No. 3 in A minor, A. 419/3 5:14

    Andrés Segovia: Heitor Villa-Lobos

    Play Prelúdio, for guitar No. 3 in A minor, A. 419/3
  17. 17.

    Guitarreo, for guitar 1:27

    Andrés Segovia: Carlos Pedrell

    Play Guitarreo, for guitar
  18. 18.

    Ségovia for guitar, Op. 29 3:00

    Andrés Segovia: Albert Roussel

    Play Ségovia for guitar, Op. 29
  1. 19.

    If my complaints could passions move, for 4 voices & lute (First Book of Songs) 2:07

    Andrés Segovia: John Dowland

    Play If my complaints could passions move, for 4 voices & lute (First Book of Songs)
  2. 20.

    The Frog Galliard, for lute, P 23 0:50

    Andrés Segovia: John Dowland

    Play The Frog Galliard, for lute, P 23
  3. 21.

    Suite for keyboard (Suite de piece), Vol.2, No.4 in D minor, HWV 437:Sarabande 3:58

    Andrés Segovia: George Frederick Handel

    Play Suite for keyboard (Suite de piece), Vol.2, No.4 in D minor, HWV 437:Sarabande
  4. 22.

    Suite for solo cello No. 1 in G major, BWV 1007:1. Prélude (transposed to D major) 2:19

    Andrés Segovia: Johann Sebastian Bach

    Play Suite for solo cello No. 1 in G major, BWV 1007:1. Prélude (transposed to D major)
  5. 23.

    Partita for solo violin No. 1 in B minor, BWV 1002:4. Tempo di Bourrée 3:36

    Andrés Segovia: Johann Sebastian Bach

    Play Partita for solo violin No. 1 in B minor, BWV 1002:4. Tempo di Bourrée
  6. 24.

    Suite for solo cello No. 3 in C major, BWV 1009:3. Courante 2:59

    Andrés Segovia: Johann Sebastian Bach

    Play Suite for solo cello No. 3 in C major, BWV 1009:3. Courante
  7. 25.

    Partita for solo violin No. 3 in E major, BWV 1006:3. Gavotte en Rondeau 3:01

    Andrés Segovia: Johann Sebastian Bach

    Play Partita for solo violin No. 3 in E major, BWV 1006:3. Gavotte en Rondeau
  8. 26.

    Work(s):Aria e Corrente arr. for guitar 6:40

    Andrés Segovia: Girolamo Frescobaldi

    Play Work(s):Aria e Corrente arr. for guitar
  9. 27.

    Sonata for keyboard in C minor, K. 11 (L. 352) 3:17

    Andrés Segovia: Domenico Scarlatti

    Play Sonata for keyboard in C minor, K. 11 (L. 352)
  10. 28.

    Nouvelles suites de pièces de clavecin, for harpsichord:Menuet in G major 3:39

    Andrés Segovia: Jean-Philippe Rameau

    Play Nouvelles suites de pièces de clavecin, for harpsichord:Menuet in G major
  11. 29.

    Andantino variato, for guitar (after Paganini) 7:40

    Andrés Segovia: Manuel Ponce

    Play Andantino variato, for guitar (after Paganini)
  12. 30.

    Prelude for piano No. 7 in A major, Op. 28/7, CT. 172 1:00

    Andrés Segovia: Frédéric Chopin

    Play Prelude for piano No. 7 in A major, Op. 28/7, CT. 172
  13. 31.

    String Quartet No. 1 in E flat major, Op. 12:2. Canzonetta (Allegretto - più mosso) 4:34

    Andrés Segovia: Felix Mendelssohn

    Play String Quartet No. 1 in E flat major, Op. 12:2. Canzonetta (Allegretto - più mosso)
  14. 32.

    L'organiste Vol.1, for organ (or harmonium), M. 41:2. Quasi lento [Preludio] 1:08

    Andrés Segovia: César Franck

    Play L'organiste Vol.1, for organ (or harmonium), M. 41:2. Quasi lento [Preludio]
  15. 33.

    L'organiste Vol.1, for organ (or harmonium), M. 41:1. Andantino poco Allegretto [Allegretto] 3:04

    Andrés Segovia: César Franck

    Play L'organiste Vol.1, for organ (or harmonium), M. 41:1. Andantino poco Allegretto [Allegretto]
  16. 34.

    Pictures at an Exhibition (Kartinki s vïstavski), for piano:2. Il vecchio castello (The old castle), Andante molto cantabile e con dolore 4:52

    Andrés Segovia: Modest Mussorgsky

    Play Pictures at an Exhibition (Kartinki s vïstavski), for piano:2. Il vecchio castello (The old castle), Andante molto cantabile e con dolore
  17. 35.

    Melody, lyric piece for piano, Op. 47/3 3:31

    Andrés Segovia: Edvard Grieg

    Play Melody, lyric piece for piano, Op. 47/3
  18. 36.

    La fille aux cheveux de lin, prelude for piano, L. 117/8 2:55

    Andrés Segovia: Claude Debussy

    Play La fille aux cheveux de lin, prelude for piano, L. 117/8
  19. 37.

    Prelude for piano in E flat minor, Op. 16/4 1:14

    Andrés Segovia: Alexander Scriabin

    Play Prelude for piano in E flat minor, Op. 16/4
  20. 38.

    Suite española No. 1, for piano, Op. 47, B. 7:No. 5 Asturias. Leyenda: Preludeio, Allegro ma non troppo 6:26

    Andrés Segovia: Isaac Albéniz

    Play Suite española No. 1, for piano, Op. 47, B. 7:No. 5 Asturias. Leyenda: Preludeio, Allegro ma non troppo
  21. 39.

    Piezas características (12), for piano, Op. 92, B. 29:No. 7, Zambra Granadina 4:45

    Andrés Segovia: Isaac Albéniz

    Play Piezas características (12), for piano, Op. 92, B. 29:No. 7, Zambra Granadina
  22. 40.

    Etude for guitar ("Estudio Sin Luz") 2:49

    Andrés Segovia: Andrés Segovia

    Play Etude for guitar ("Estudio Sin Luz")
  23. 41.

    Fantasía para un gentilhombre, for guitar & orchestra:3. Danza de las hachas, Allegro con brio 2:15

    Enrique Jorda, Andrés Segovia, Symphony of the Air: Joaquín Rodrigo

    Play Fantasía para un gentilhombre, for guitar & orchestra:3. Danza de las hachas, Allegro con brio

Description

Anyone who loves the classical guitar must also love Andrés Segovia -- even if he/she doesn't know it yet. He is credited with garnering -- almost single-handedly -- big-league status for the plucky six-string, and virtually every modern player stands on the foundation of his legacy. Anyone wanting to hear why this is true would do well to start with Deutsche Grammophon's lovingly prepared The Art of Segovia, which pays tribute to both his playing and his tireless repertory building. His performances of guitar staples by Sor, Torroba, and Rodrigo are coupled here with his nimble transcriptions of works for keyboard, cello, violin -- even string quartet -- by Bach, Handel, César Franck, Mendelssohn, and others; these two elements combine to give as complete a picture as possible (considering the limitations of space on a modest two-disc set) of his technique and ingenuity, and of course his grasp of the guitar's possibilities. Audiophiles won't find ideal sound here; many of the tracks were recorded monaurally, and the performances seem a little unkempt next to airbrushed digital equivalents. But this is what makes it so interesting; you can practically see his fingers intuitively working their way across the instrument, and the occasional squeak or buzz only makes the experience more vivid. The many highlights include Fernando Sor's Theme and Variations on a Theme from The Magic Flute and Segovia's transcription of the Prélude to Bach's Suite No. 1 for Cello, both of which sound intricate and easy. One of the few disappointments is the Sarabande from Handel's Suite No. 4 for Harpsichord; it, more than any other transcription here, sounds homesick for its native instrument. But this is nitpicking. These performances convey an infectious love and understanding of the guitar that is a joy to experience. Allen Schrott, All Music Guide

Details

Description

    Anyone who loves the classical guitar must also love Andrés Segovia -- even if he/she doesn't know it yet. He is credited with garnering -- almost single-handedly -- big-league status for the plucky six-string, and virtually every modern player stands on the foundation of his legacy. Anyone wanting to hear why this is true would do well to start with Deutsche Grammophon's lovingly prepared The Art of Segovia, which pays tribute to both his playing and his tireless repertory building. His performances of guitar staples by Sor, Torroba, and Rodrigo are coupled here with his nimble transcriptions of works for keyboard, cello, violin -- even string quartet -- by Bach, Handel, César Franck, Mendelssohn, and others; these two elements combine to give as complete a picture as possible (considering the limitations of space on a modest two-disc set) of his technique and ingenuity, and of course his grasp of the guitar's possibilities. Audiophiles won't find ideal sound here; many of the tracks were recorded monaurally, and the performances seem a little unkempt next to airbrushed digital equivalents. But this is what makes it so interesting; you can practically see his fingers intuitively working their way across the instrument, and the occasional squeak or buzz only makes the experience more vivid. The many highlights include Fernando Sor's Theme and Variations on a Theme from The Magic Flute and Segovia's transcription of the Prélude to Bach's Suite No. 1 for Cello, both of which sound intricate and easy. One of the few disappointments is the Sarabande from Handel's Suite No. 4 for Harpsichord; it, more than any other transcription here, sounds homesick for its native instrument. But this is nitpicking. These performances convey an infectious love and understanding of the guitar that is a joy to experience. Allen Schrott, All Music Guide

Features

Additional Information

  • DPCI: 244-05-7770
  • ASIN: B002MPL00A
  • Catalog #: 11528841
  • Item can not be gift wrapped.

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